Full disclosure: I am stuck with book three. I don't know my story. I'm frustrated. So I'm contenting myself with research, which I've been doing intensely (ebb and flow) for about a year now, which has been mostly reading, and with no real focused objective but to understand the late sixties.
I did this with REVOLUTION and COUNTDOWN as well -- I read for about a year. You can find my bibliographies on Pinterest -- they are incomplete but will be added to as I can get to it.
So I'm working on scrapbooks today -- the non-fiction pieces of the documentary novels. I need about seven songs, one to anchor each scrapbook. They will change as the story is known and changes, but I need something to get me started, and I'm wondering if listening to the songs of the late sixties might also help me with finding my way into the story itself.
I spent most of my research day listening to the Billboard hits of 1967, 1968, and 1969. I dipped into 1970 as well. I want book 3 to be (in part) about ROCK-AND-ROLL. We've not had the chance to really do rock-and-roll with COUNTDOWN and REVOLUTION, so here is the chance to Go Big Or Go Home, and I want to revel in the music. Maybe I have a character who does the same (that's what I've been playing with, anyway).
This is the kind of day where I have 24 windows open online at once and jump back and forth between YouTube and Wikipedia for lyrics and cursory information about The Rascals, Chicago (can only use their first album), Buffalo Springfield ("For What It's Worth" is perfect, about the Sunset Strip riots in 1967 -- I can use it for larger meaning), Jefferson Airplane (which leads to a lengthy side-trip down the "San Francisco Sound" tunnel), The Fifth Dimension, The Isley Brothers, Steppenwolf -- yes, I can use "Born to be Wild," now that I have moved book 3 from 1968 to 1969.
Last year, anticipating the long flights to Hong Kong and back, I invested in Bose noise-cancelling headphones, and they are perfect for this task. I'm listening a lot right now, trying to find a way in, and pulling out a line here, a line there, of select songs (not scrapbook anchors) for inclusion somehow -- don't know how yet. I'm going on faith here that I'll figure out a way to do this, and if I don't, it's not time wasted.
Delicious lines like "It appears to be such a long long long long time before the dawn." Know it? "And the beat goes on." "The past is just a goodbye." "All the world over it's easy to see, people everywhere just got to be free." And many more.
I've been wondering if I can put more of myself into this book, like I did with REVOLUTION and COUNTDOWN. I've said I'm going to the Bay Area for book 3, but I lived in Charleston, South Carolina in 1969, my dad flew into and out of Vietnam, our high school was integrated - in spite of Strom Thurmond's defiance - by the National Guard, boy picketed to grow their hair long, girls picketed to shorten their skirts, and I loved Crosby, Stills and Nash and the Beatles and many more... the music was fresh, new, energizing, and amazing.
I was 16 years old and wanted to see the film Easy Rider. I didn't have the $3 it cost for a movie ticket. My dad said, "I will not give you three dollars to support Peter Fonda's drug habit." He forbid me to see Easy Rider. So I told my parents I was off to somewhere or other on a date with Jim (that took care of the $3, and besides, it was JIM), and instead went into downtown Charleston, South Carolina to see Easy Rider.
It. Was. Thrilling. Imagine sitting in the theater, a sheltered child of strict Southern, military parents who didn't even want rock-and-roll in the house -- I'd had to "audition" rock-and-roll in order to be allowed to play it -- I chose my 45 of "We Can Work It Out" by the Beatles and got a reluctant okay.
Imagine this kid sitting in the theater and watching Easy Rider unfold. Born to be Wild indeed. Here is the beginning of the movie with Steppenwolf's signature anthem (if you can call it that):
That's it for today. I've listened until my ears hurt. And we've got to get myself back to the garden....